Creator

Cambodian American poet whose work addresses the Khmer Rouge period and its inheritance.

Monica Sok is a Cambodian American poet and teacher, the author of A Nail the Evening Hangs On (Copper Canyon Press, 2020).[1][2] Her poems move through Cambodian history, the Khmer Rouge genocide and what it has left to later generations.[3] She is based in Oakland, California.[1]

Education and teaching

Sok earned a BA in international studies from American University and an MFA in creative writing from New York University, where she studied with Sharon Olds and Yusef Komunyakaa.[1][4][3] As a graduate student she became a Kundiman Fellow, and Kundiman helped her write about Cambodian history and the genocide.[1]

From 2016 to 2018 she was the Stadler Fellow in Poetry at Bucknell University and associate poetry editor of West Branch.[5] She held Stanford University's Wallace Stegner Fellowship from 2018 to 2020, then became a Jones Lecturer at Stanford, where she taught Asian American literature and an anti-war poetry tutorial.[1][6][3] She has also taught at Barnard College and Columbia University.[1] In Oakland she teaches poetry to Southeast Asian youth at the Center for Empowering Refugees and Immigrants.[6][7] From 2023 to 2024 she was the Soniat Reader in poetry for the Virginia Tech MFA in Creative Writing.[1]

Poetry

Her chapbook Year Zero was selected by Marilyn Chin for a 2015 Poetry Society of America Chapbook Fellowship and was printed in an edition of 500 copies.[1][5] The Poetry Foundation gives 2016 as its publication year.[2] Some of its poems went into A Nail the Evening Hangs On.[3]

A Nail the Evening Hangs On was published by Copper Canyon Press in 2020, shortly before the COVID-19 shutdown, and her book tour was canceled.[3] The collection looks at the Cambodian refugee diaspora and at the role of the United States in the genocide of Cambodian people.[6][8] Its poems include "Here Is Your Name," "The Death of Pol Pot," "Tuol Sleng" and "The Death of Henry Kissinger," which reworks Kissinger's language about the bombing of Cambodia.[3] "Tuol Sleng" follows the site's lives as a school, a torture prison and a museum.[6] Publishers Weekly praised the way her poems weave together family stories, history, place and identity.[8] Another poem from the book, "Self-Portrait in Siem Reap," is published on Poetry in Voice.[9]

Sok's poems have appeared in The Washington Post, Poets.org, New England Review, The Paris Review, Virginia Quarterly Review, Narrative Magazine, American Poetry Review, POETRY, Kenyon Review and New Republic.[1][4] Her poem "ABC for Refugees" won the 2018 92Y Discovery/Boston Review Poetry Contest, shared with Paul Tran.[1] In 2022 she was at MacDowell, working on a second poetry collection and a screenplay.[1]

Community

In March 2019 Sok read with Angela So, Sokunthary Svay, Danny Thanh Nguyen and Anthony Veasna So at "How to (Not) Write About Genocide?" in Portland, Oregon, the first panel of Cambodian American writers at an AWP Conference. Writing about the event, she argued that Cambodian American identity reaches beyond trauma and the expectation of resilience.[10] She has taken part in direct-action protests against U.S. Immigration and Customs Enforcement (ICE), including at San Francisco's ICE detention center.[3]

Recognition

  • Poetry Society of America Chapbook Fellowship (2015), for Year Zero[1]
  • Hedgebrook residency (2016)[1]
  • Stadler Fellow in Poetry, Bucknell University (2016 to 2018)[5]
  • National Endowment for the Arts Literature Fellowship (2017)[4]
  • 92Y Discovery Poetry Prize (2018)[4]
  • Literary Fellow, Montalvo Arts Center, Lucas Arts Program (2018)[1]
  • Wallace Stegner Fellowship, Stanford University (2018 to 2020)[1]
  • Fellowships or residencies from Kundiman, the Elizabeth George Foundation, the Jerome Foundation, MacDowell and the Saltonstall Foundation[4][6]

Works


See also

References

This page was last edited on 26 September 2026, at 23:35.