Music release

Dalama: The End'n Is Just the Beginn'n is the first album by the Khmer American rapper praCh, a Khmer and English telling of the Khmer Rouge years.[1][2]

About the release

The album sets hip-hop lyrics in Khmer and English over traditional Cambodian instruments.[2][3] Its songs retell the history of Cambodia's killing fields from 1975 to 1979, and the lyrics give the number killed under the Khmer Rouge as an estimated 1.7 million people.[1][4] Some lyrics are written from the point of view of praCh's father, telling what he lived through and how he survived.[5] praCh called the album a "hip-hop memoir."[3] The song "Resurrec" is performed in both Khmer and English.[6]

History

praCh made the album in his parents' garage in Long Beach, California, recording it in a week on their karaoke machine.[1][3] He recorded it in 2000; UConn Today dates the writing and production to 1999.[3][5] He made it for himself and his family, not for fame, and record companies showed little interest.[5][4]

A deejay carried a copy to Phnom Penh, where the album became very popular with young people and was widely played across the country.[4][1] Hundreds of bootleg copies circulated, and word of mouth made it the top-selling album in Cambodia in 2000 and 2001.[4][1][2] praCh at first did not know the album had reached number one there.[1] It made him Cambodia's top-selling hip-hop artist.[7] The Cambodian government banned the songs from radio as too controversial, but people bought the album and played it at home and in clubs.[2]

Impact

The album has been credited with bringing hip-hop to Cambodia and with teaching a younger generation about the country's genocidal past.[1][2] praCh has said that students who heard it began asking their teachers about the killing fields and the U.S. bombings, and that schools then took up those subjects.[1] He has also said that a teacher wrote to tell him she had begun teaching history without leaving material out.[1]

Cathy Schlund-Vials, a professor of Asian American studies, called the album quintessentially Cambodian American in its lyrics and music, and said it memorializes the Cambodian American experience.[5] She also said it met a pent-up need among Cambodia's young people.[3]

References

This page was last edited on 27 September 2026, at 06:00.